Katherine Gili is a sculptor who for the past 40 years or so has extended the physical potential and emotional range of her abstract steel sculpture in a manner both intelligible and forceful.
Beginning from a rigorously abstract canon, she has developed in the latter part of her career a distinct and direct relationship with the physicality of the body.
This exhibition at Poussin Gallery and its accompanying comprehensive catalogue will address the extraordinary critical evolution of her work through its connected and progressive phases.
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