For this ambitious site-specific installation, curated by Chris Bayley, Fitzpatrick will exploit the limitations of the 16-metre vitrine as a means to further disrupt and undermine the works.
By breaking the sanctity of the sited exhibition and working towards creating temporal shifts as a means of both undermining the sculptural arrogance of permanence; works will dominate and alter their environment through motorised movement.
By doing so, these works acknowledge their own confinements of the vitrine, adopting the inherent limitations to their advantage.
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