Many of the most memorable images of the Sixties are on show as part of the Design Museum's Robert Brownjohn restrospective.
Rolling Stones, Let It Bleed, 1969; Album cover; Photography: Don McAllester; Design: Robert Brownjohn; © ABKCO Music & Records, Inc/ © Decca Universal
In the exhibition we learn that it was Brownjohn's work which helped to make the James Bond legend so enduring. His opening title sequences for the 1963 Bond film From Russia With Love and the 1964 Bond film Goldfinger, which required exacting attention to detail in a pre-digital age, can be enjoyed on a screen. Almost as important is the poster depicting Sean Connery and Honor Blackman which had such impact.
Also playing are his Midland Bank cinema commercials which received standing ovations at the Cannes Film Festival.
Brownjohn's arresting Fifties' graphic art includes a Harper's cover drawing featuring red skull caps surrounding a single white one. This was to illustrate the article on the new Pope John XXIII who was the first pontiff to make a global impact.
Other early work, before the artist's move from New York to Britain in 1960, is a pleasing use of letterpress for festival posters. In America he had come under the influence of Andy Warhol as his collection of slides confirms.
Two years before his death in London he designed the artwork for the Rolling Stones' album Let It Bleed.
In a foreword Alan Fletcher of Pentagram writes: "Bj was the right man, in the right job, in the right place."