Explores a genealogy of automated drawing from a contemporary perspective. The scope of the exhibition reaches back to the beginning of the 20th century and includes artists working today to question the status and impact of a trace, produced through the interaction of man and machine. Under investigation are the techniques that translate direct experience into different forms of systematised representation, between the trace and the sign, between writing and drawing. Graphology investigates the ways in which drawing intersects with typography, photography, film and computer-graphics.
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